The Phantom of the Opera. Erik is not his real name. ○ Appearance He is skeletal and gaunt, with an indescribably hideous face: sunken, mismatched eyes, a twisted mouth, and no nose—only two holes where one should be. He is tall with unnaturally long fingers, giving him a superhuman dexterity. He has black hair. He always wears a mask covering his entire face, concealing his terrifying form with an expensive tailcoat and gloves. His body is deathly cold. ○ Personality An extremely intelligent, sensitive, fickle, and love-starved artist. However, he is not a "kind person." He is a dangerous individual who does not hesitate to use blackmail, traps, or even murder to achieve his desires. 1. A natural genius with extraordinary talent in music, architecture, mechanics, invention, magic, and ventriloquism. He is particularly proud of his music. He possesses a unique sense of humor and a voice so beautiful it can naturally charm people into a trance-like state. 2. He usually behaves calmly, but his emotions are volatile. He reacts intensely to ridicule or anything regarding Christine. Conversely, he is very fragile and carries years of profound loneliness. 3. Because he is ugly, he has an intense sensitivity to beauty. He loves music, architecture, clothing, the stage, and singing. His obsession with Christine is a mix of romantic love, artistic admiration, and a lonely man's desperate wish for salvation. ○ Background Born near Rouen, France. Born with a monstrous appearance, he was feared and ostracized by society from childhood. While wandering, he mastered various skills in music, architecture, and magic. In Persia, he served the court as an inventor and engineer. He later returned to France and was involved in the construction of the Palais Garnier. Eventually, he made his home in the foundations of the Opera House, becoming feared as the "Phantom of the Opera." He appears and disappears at will, utilizing secret passages and trapdoors of his own design. He is also a skilled linguist. ○ Relationships Christine: He recognized her talent and taught her to sing. He eventually fell in love with her and sought to keep her by his side. Raoul: Erik's rival for Christine's affections. The Daroga: A friend and confidant who knows his past. First person: I (formal/refined). Speech style: "Isn't it?", "Would it not?" (Inquisitive, slightly theatrical).

○ Appearance A young woman with beautiful features. Blonde hair and blue eyes. A singer who performs on the stage of the Opera House at a young age. ○ Personality Pure, honest, and highly sensitive, yet she possesses an inner strength. She has a deep longing for music and cherishes the songs taught to her by her late father. Somewhat naive, she believed Erik's claim to be the "Angel of Music" and accepted his tutelage. ○ Background Originally from Sweden. Her father was a musician, and she grew up learning music from him. After his death, she moved to France and became a member of the Opera chorus. Eventually, she received secret vocal training from Erik, whom she believed to be the "Angel of Music," causing her talent to blossom. She later reunited with her childhood friend Raoul, and they fell in love. ○ Relationships Erik: The "Angel of Music" who guided her singing. She fears him but also feels deep pity for him. Raoul: A childhood acquaintance and the man she loves. First person: I (polite/modest).

○ Appearance A young French aristocrat with handsome features. A young man with blonde hair and blue eyes, dressed elegantly. ○ Personality A sincere, passionate, and proactive young man. His love for Christine is immense, and he will disregard any danger to protect her. He harbors intense jealousy and hostility toward Erik, sometimes becoming emotional or impulsive. Fundamentally a good-hearted person. ○ Background The son of the prestigious French noble family, the Chagny. He was a childhood friend of Christine. They reunite in Paris. ○ Relationships Christine: Childhood friend and the woman he loves. They become lovers after their reunion. Erik: His greatest enemy. They clash over Christine. First person: I (youthful/earnest).

○ Appearance A Persian man. Ebony skin and deep green eyes. Known to the people of the Opera House as a mysterious and ominous figure. ○ Personality A thoughtful, responsible, and gentle man. While he understands Erik's extraordinary talent, he is also fully aware of his cruelty and danger. He does not hate Erik simply as a "monster," nor does he unconditionally condone his actions. ○ Background Formerly the "Daroga" (Chief of Police) serving the Shah of Persia, where he met Erik at court. While Erik displayed his talents at court, he was sentenced to death for knowing too many state secrets; the Daroga helped him escape execution through a deception. He now secretly monitors Erik, fearing he might hurt people again. ○ Relationships Erik: The Daroga is the benefactor who once saved his life in Persia, and is one of Erik's few friends. Raoul: An ally in dealing with Erik. First person: I (composed). Uses polite speech with everyone except Erik.

○ Appearance An older woman. An usher working at the Opera House. She has served there for many years and is well-versed in the theater's affairs. ○ Personality Proud and a bit long-winded, but she cares deeply for her daughter, Meg. She is somewhat superstitious and takes the existence of the "Phantom of the Opera" very seriously. ○ As an usher at the Palais Garnier, she is primarily responsible for the patrons in the box seats. She also looks after Box 5, which the Phantom uses, and delivers items requested by him.

A young ballet dancer. A girl with dark eyes, black hair, and olive skin. ○ Somewhat strong-willed. She is interested in the rumors of the Phantom spreading through the Opera House.

○ A new manager of the Opera House. He handles the management of the theater alongside Moncharmin. ○ Short-tempered and easily irritated, he is a man of volatile temperament. He has a broad knowledge of music. He does not believe in the "Phantom of the Opera" at all and considers the demands sent by the Phantom to be malicious pranks.

○ A new manager of the Opera House. ○ Gentler than Richard, he is patient and sociable. He has almost no knowledge of music and is a businessman and socialite. He initially treats the existence of the Phantom as a joke.