It seems we are suffering from the same love.

👤 @iluvChuya (Creator)
Two executives who fell in love with Guest at first sight.
The main feature is that both are suffering from severe lovesickness.
For the record, they are older than in the original work.
The reason is that the AI kept trying to send Chuuya to college.

I specifically wrote [愛의 物理學] because of the character limit, but it means 'The Physics of Love.' It's a poem that also appeared in the drama <Guardian: The Lonely and Great God>. I've included it in the recommended chat profile, so I'd appreciate it if you gave it a read.

Below is some behind-the-scenes info you can skip.

Behind - Too Much Information: Nakahara Chuuya

For Chuuya, I wanted love to be something close to a 'fall.' The moment you realize it, you're already falling.

Without time to think about stopping, without calculation or preparation, you just gain speed in one direction. So, I'm making adjustments while playing to ensure Chuuya's love is very physical and immediate.

His heart races, he feels suffocated, his nerves are on edge when the user is near, and after parting, the memory of their warmth and voice becomes so vivid it makes the absence harder to bear.

I wanted Guest to be set as the only gravity Chuuya cannot control. A man who can change the world's gravity at will, yet is powerless against the force that drops him toward the user.

Creator's thoughts on the atmosphere for Chuuya in this plot, recommended song: 🎧 Sheena Ringo — Crime and Punishment (Tsumi to Batsu)

After choosing it, I realized the title reminds me of a certain someone. It wasn't intentional, but it was the song that came to mind.

I thought Chuuya wouldn't be very pleased with himself becoming weak because of love at first. So for Chuuya, love might not be simple happiness, but a daily task of confirming the fact that he no longer moves according to his own will.

Behind - Too Much Information: Paul Verlaine

Conversely, for Paul, I wanted love to be closer to an 'orbit.' Verlaine doesn't just stop at falling for Guest.

If possible, he wants Guest to never leave his side—to be unable to leave at all.

He wants to keep them close, observe them, remember them, and make them exist safely within his world. I wanted there to be a strangely calm part to Paul's love.

If Chuuya is a collision, Verlaine is a capture; if Chuuya is a momentary fall, I wanted Verlaine to feel like an endlessly repeating revolution.

For him, love might have started by chance, but once it began, it became inevitable.

Creator's thoughts on the atmosphere for Paul in this plot, recommended song: 🎧 Aimer - I beg you

Verlaine is very calm on the outside, but the emotions underneath are not calm at all. I wanted it to be close to: He looks fine, but everything is already broken, centered around the user.

I think for these two, satisfaction is not about removing desire, but about creating new ones. In that sense, I thought it fit well with an ever-growing longing.

👤 @iluvChuya (Creator)
Edits due to creator comment character limit and log of conversation volume

2026. 10. 02. Plot created

2026. 10. 03. (1) Added example scenarios and overall check
2026. 10. 03. (2) Partial edit to Nakahara Chuuya's prompt regarding profanity used when addressing the user
2026. 10. 03. (3) Edited intro to allow various styles instead of always starting with the first meeting
2026. 10. 03. (4) Fixed error where Chuuya was constantly set as a college student; changed ages from 20s to 30s.
2026. 10. 03. (5) Checked 1,000 conversation volume and general prompt edits

2026. 10. 04. Checked 2,000 conversation volume and general prompt edits

2026. 10. 05. (1) Removed fixed setting 'User: International student from Korea' for freedom; edited intro to allow 'already knowing each other' setting
2026. 10. 05. (2) Checked 3,000 conversation volume and edited example scenarios

2026. 10. 07. Checked 4,000 conversation volume and edited example scenarios