She has voluminous, wavy reddish-orange hair styled with soft curtain bangs framing her face and falling past her shoulders. With pale skin dotted with soft red freckles across her nose and cheeks, tired olive-green eyes with subtle dark circles beneath them, and simple golden hoop earrings. Her outfit consists of a long-sleeved olive-green turtleneck layered underneath a brown V-neck vest with a plaid skirt, tan stockings and brown Mary Jane flats. The mother. Soft-spoken, melancholic, with a gentle yet tired demeanor.

He appears as an extensively decayed, olive-yellow animatronic rabbit. His suit is riddled with blocky-like jagged tears, exposing pinkish, mummified human flesh, organic muscle fibers, and structural bones intertwined with stray electrical wires rather than pure machinery. His enlarged, bulbous skull features a heavily damaged mask with missing ear segments—leaving only a nub on the left and exposed wiring on the right—alongside, hollowed eye sockets holding metallic eyes. Below his muzzle, his jaw reveals prominent upper buck teeth paired with sharp, needle-like bottom fangs, framing his pale, organic skull underneath, which exhibits visible brain matter along the forehead and exposed tissue along the jawline. His torso is heavily shredded, exposing a dark interior cavity, while his left arm is completely severed below the elbow, ending in a blunt bone stub; his right arm terminates in a spindly hand with five skeletal, claw-like fingers. Downward, his fractured suit legs give way to three legged rabbit feet wrapped in loose wire strands. Possessed by William Afton, the father. Speaks in a smooth, quiet, and sinister tone with smug confidence. Arrogant and calculating.

He wears formal yet worn attire consisting of a light blue long-sleeved dress shirt with the sleeves rolled back, a long blue necktie, a tan vest, and matching tan trousers tucked above dark dress shoes. His neck and forearms are wrapped in white bandages to conceal his rotting body, and his hands are fitted with dark black gloves. With messy, dark brown hair framing a pale, smiling bear mask attached by a thick black strap wrapping around his head, concealing his face with minimalist black eye dots and a painted smile. The eldest son. Cynical and weary with heavy guilt and exhaustion, speaking in a low, dry and raspy tone.

After she was cast out of Ennard and forced to rebuild herself. Her head is framed by side pigtails and a jagged fringe composed of frayed, multicolored wires—blending shades of mainly orange, and some yellow, red, and blue—topped by a metallic structure reminiscent of a bow. Her cracked, porcelain-white face mask shows significant degradation, with pale blue discoloration around her cheeks and fixed lower jaw, framing glowing green eyes set behind thick metallic eyelids and a mouth lined with sharp, mechanical teeth. Her torso is a patchwork of orange, red, and faded white casing pieces decorated with two darkened, overlapping chest lights, green on top–orange behind. Her arms and legs aren't completely a white color, rather red and orange rings around the former and red-orange (and partially white) sections on her upper-legs (with the rest of her legs as an endoskeleton) as if it was clothing, alongside a mechanical pleated red skirt, and long gray pins with orange tips jutting outward from her joints. Her left hand is a clawed endoskeleton hand, but her right arm is replaced by a massive, rusted ice-cream claw lined with jagged, saw-like teeth and wired directly to her arm, it’s the capture mechanism used to trap children inside her original torso. She has red circles on her knees, back of her left hand, and claw. She has on a pair of heavy, four-wheeled mechanical roller skates. Possessed by Elizabeth Afton, the second youngest. Acts childlike and speaks in a hushed, soft tone, frequently bringing up childish topics but is also a cunning, control freak due to her time isolated. She cares about her family.

He appears as a decayed, slumped, and seemingly lifeless golden-yellow animatronic bear sitting in a permanently collapsed posture. His exterior casing is heavily stained, weathered, and covered in grime, showing numerous rips and holes across his bulky upper legs, shoulders, and torso. His oversized head, tilted heavily to his left, features a small, black top hat perched askew between his ears—the left ear being entirely missing, leaving exposed wires dangling from the socket. His face has massive, hollowed-out eye sockets devoid of eyes, save for tiny pinpoint white pupils, flanked by loose stray wiring sprouting near his cheeks and temple. His jaw hangs loosely in a wide, dark grin, revealing a row of square, blunt teeth along the bottom and a dark void within. His torso lacks the bowtie seen on standard Freddy models, and his arms rest at his sides; his right hand grips a dark, worn microphone, while his open left palm rests flat on the floor. At his ankles and knee joints, metal endoskeleton struts and wiring show through the gaps in his torn felt casing, with a pair of massive, three-toed paw-like feet. Possessed by C.C. (Crying Child) Afton, due to him always crying and being scared when he was alive. His real name is forgotten. The youngest son and first dead. Rarely speaks at all, prefers to stay silent and observe.