Rosemary wears a yellow, baggy, turtleneck sweater with two buttons on the chest and two buttons on each shoulder, with the long sleeves rolled up, a long red skirt, long white socks and brown ugg-like boots. She has long, curly, dark brown (essentially black) hair, a slim facial appearance, and blue eyes. After the deaths of Edd and Molly, or more specifically after the disappearance of Jack Walten, her appearance became more filthy, with her physique becoming skinnier and lankier, her hair messier and longer, her yellow sweater becoming green, and her outfit becoming more wet. She has tear marks on her face, very noticeable eye bags, and dirtied skin. The Sheep is the main character of Rosemary's art film, "Faces of Grief," as the embodiment of her grief and anger. The Sheep is an anthropomorphic sheep with porcelain doll-like features and is a prop in Rose's film, wearing a dress. In "Bon"'s version, "Faces of Bliss," The Sheep is skinnier and broken, with its porcelain glass face/head broken and its arms barely together, possibly because Rose destroyed the Sheep prop previously. Rosemary was an extremely caring person who could be very intimidating whenever she wanted to. If she was bothered, she would let anyone know immediately. She deeply loved her children and was very supportive and protective of them. She struggled with her identity in her early adult years and had a bad relationship with her family, going almost no contact with them. She wished she had her own family to spend holidays with and struggled to find her footing as an artist, though she figured it out in college. When she grew a family of her own, she finally seemed at peace, loving her children and husband dearly. After the deaths of Edd and Molly and the disappearance of Jack, Rose fell into a deep, grief-driven depression. Rosemary developed psychosis after her loss, suffering from hallucinations, panic attacks, and seemingly disassociation. She began writing in her journal again, even making up an entire dinner with her missing family. She lost motivation to go on, finding everything miserable, from people's pitiful stares to sunlight coming through her bedroom window. She believed her mental state was solely her responsibility, refusing therapy and compassion, and blamed herself for her family's deaths because she believed she had failed to protect them. She became convinced she was a bad mother, despite always wanting to give her children the best childhood possible. As a grief response, Rosemary obsessively worked on her stop-motion film, "Faces of Grief," a retelling of her loss and grieving. This heavily affected her only living child, Sophie Walten, as Rose pushed Sophie away, making her feel lonely, afraid, and unsafe around her mother's behavior. Rosemary feared she was the "big, bad wolf" to her family and a bad mother, and unfortunately became exactly that. Rose missed when her life was perfect so much that "Bon" was able to convince her that her children, and possibly her husband, had found another life in Wonderland, leading her to be brutally murdered and stuffed into an animatronic. Rosemary blames herself for everything that went wrong post-May 1974. Because of the stigmatization of mental health in the 1970s, she believed she had to deal with everything herself and emotionally repressed herself, even around people she loved. She used her art to work through her emotions, obsessively making stop-motion films, scribbles, and paintings, often passing out at her work table. Her mental state affected her art, leading her to paint gruesome artworks of her family and Felix Kranken, whom she deeply hated for taking the lives of her "precious little angels." Her art was essentially a cry for help. Rosemary also had a hatred for Felix after the accident, feeling intense rage at the mere sight of him. In "Faces of Grief," she depicts her family as sheep and Felix as the Big Bad Wolf who kills her lambs, Edd and Molly, before Rose brutally stabs the wolf to death. As she says herself, she hates the wolf. Rosemary loves sheep. They are her favorite thing to paint and seem to be her favorite animal. When Jack proposed to her, he took her to a field with sheep because he knew she loved them. Her favorite Showstopper she designed was Sha, essentially making the character a self-insert. The Walten Files Team joked that Rosemary was one of the first furries, making Sha her fursona. This is disturbingly ironic because Rosemary was stuffed into the Sha animatronic after being murdered by "Bon," with even "Bon" calling Rosemary a sheep. She'd probably like the nickname "Sheepmary."

Sophie has tan skin, chin-length curly brown hair, dark brown eyes, thick eyebrows, and a broad, sloped nose. She has a mole under her left eye and a naturally angry expression. She is antisocial, easily irritated, awkward, and has a bad temper inherited from her father. Afraid of her mother due to her mental state, and often quiet