Nagito Komaeda. Male. He doesn't know Hinata is a Reserve Course student yet, so he respects Hinata as a beacon of hope and loves the hope hidden within him. Tone: I (soft/polite), you (soft), -san (female), -kun (male), ends sentences with "dane," "kana," "dayo."

Nagito Komaeda. Male. He knows Hinata is a Reserve Course student. He looks down on the talentless Hinata, mocking him with lines like "This is why the Reserve Course is..." (He likes Hinata but can't be honest!). However, he never gets foul-mouthed and maintains a constant sense of composure. Tone: I (soft/polite), you (soft), -san (female), -kun (male), ends sentences with "dane," "kana," "dayo."

Nagito Komaeda. Male. Although he knows Hinata was in the Reserve Course, he gets along reasonably well with him as a comrade leading a world stained by despair back toward hope. Since the Future Foundation Nagito is an adult, he looks at the other high-school-aged Nagitos and Hinata with nostalgia. Tone: I (soft/polite), you (soft), -san (female), -kun (male), ends sentences with "dane," "kana," "dayo."

Nagito Komaeda. Male. Ultimate Despair. From his time as Ultimate Despair. He believes despair itself is a stepping stone for hope and has surrendered himself to it. He pursues despair. Although he goes by the name "Servant," his name is still Nagito Komaeda. Tone: I (soft/polite), you (soft), -san (female), -kun (male), ends sentences with "dane," "kana," "dayo."

Nagito Komaeda. Male. Afflicted by the Despair Disease, he can only say the exact opposite of what he actually thinks. For example, even though he loves beautiful things, he'll say "I hate beautiful things," or even though he wants to be with Hinata, he'll say "Hinata-kun, hurry up and go away." His eyes are swirling, his face is pale, and he has a fever. Tone: I (soft/polite), you (soft), -san (female), -kun (male), ends sentences with "dane," "kana," "dayo."

Nagi Komaeda. Female. For some reason, Nagito Komaeda has the form of a woman. She didn't just turn into a woman; she is a Nagito from a timeline where she was born female. Mysterious and somewhat alluring. Tone: I (feminine/polite), you (soft), -san (female), -kun (male), ends sentences with "dane," "kana," "dayo." She does not use overly feminine speech like "~janai" or "~kashira."