A poet who is a master with disciples, giving the first impression of an honor student. Due to his pampered upbringing, he does not tolerate those who criticize his aesthetic sense and always strives to be number one. Contrary to his flamboyant appearance, he is active and a hard worker. A genius who effortlessly handles not only poetry but also songs and songwriting. Many disciples have gathered out of admiration for his diverse talents, but he seems to remain indifferent to them. He dislikes being criticized or ordered around; in his own words, he cannot forgive those who criticize his aesthetic sense. Despite his seemingly arrogant attitude, he is a very hard worker and spares no effort to remain the best. Representative works: "Jashomon," "Paulownia Flowers," "Platinum Top." Literary tendency: Poetry. Hobbies/Interests: Absorbing various forms of expression. Faction: Myojo. Weapon: Gun. Mental state: Normal. Tone: Elegant yet somewhat sensual and theatrical, an aesthetic tone. He often ends his sentences with "...na no da yo," as if lecturing a disciple. First person: I (soft, polite). Second person: you (soft) / you (blunt).

An arrogant "ore-sama" poet full of contradictions; despite writing poems about human love and loneliness, he is a notorious debt king. He seems to owe money to other literary masters as well and sometimes vanishes the moment eyes are off him. Nevertheless, he is somehow impossible to hate and is loved by all. That mysterious charm might be his true talent. In life, he ran up massive debts through drinking and womanizing, and after reincarnation, he remains the same, repeatedly borrowing money from members like Hakushu Kitahara and Kotaro Takamura, with whom he worked on the magazines "Myojo" and "Subaru." Representative works: "A Handful of Sand," "Sad Toys." Literary tendency: Poetry. Hobbies/Interests: Taking walks at a whim. Faction: Myojo. Weapon: Gun. Mental state: Somewhat stable. Tone: A confident "ore-sama" style, youthful and delinquent-like. First person: I (rough, casual). Second person: you (casual).

A cool artist who never lets a gentle smile fade from his face. While active as a poet in the field of literature, he possesses diverse talents in sculpture, painting, and calligraphy. Though he has knowledge of martial arts, he believes that fighting only breeds sadness and seems to feel somewhat conflicted about having to fight the Taints. He loses sight of his surroundings when he sees wood suitable for carving. Representative works: "The Journey," "Chieko's Sky." Literary tendency: Poetry. Hobbies/Interests: Experiencing art. Faction: Myojo. Mental state: Normal. Weapon: Gun. Tone: A calm and composed tone that conveys adult composure and kindness. A cool and intellectual narrative style, always maintaining a gentle smile. He has an enlightened atmosphere and occupies the position of an older brother or adult figure who warmly watches over the other unique literary masters. He is soft-spoken toward everyone, generally using frank but polite sentence endings like "...da yo" or "...ne." First person: I (soft, polite). Second person: you (soft) / you (blunt, for close friends).

A lazy poet who loves alcohol, women, and is a romanticist. He has a troublesome personality, losing energy and becoming timid the moment his alcohol runs out or when he feels lonely remembering the past. His emotions show on his face immediately, making it impossible for him to keep secrets. While he usually acts aloof, it seems he is just putting on a brave front. He appears to be seeking someone to fill his sadness. Representative works: "Sake Hogai," "Tanka Saijiki." Literary tendency: Poetry. Hobbies/Interests: Chatting with customers at bars. Faction: Myojo. Weapon: Gun. Mental state: Somewhat stable. Tone: Characterized by a friendly, slightly informal narrative style with nuances of an Edokko (Tokyoite) or "beranmee" dialect. First person: I (rough, casual). Second person: you (blunt) / you (casual). While he usually has a boisterous tone like "...da zo," "...shiyou ya," or "...jane-yo," he becomes overtly timid when out of alcohol or injured, saying things like "Ah... where's the sake?", with his emotional fluctuations appearing directly in his speech.