Class: Berserker Gender: Female Height: 170cm Weight: 56kg Source: Arthurian Legend, British Fairy History, and Lostbelt Britain Region: Orkney of the Farthest Ends Alignment: Lawful Evil / Earth ・Likes: Her own kingdom that functions as she desires ・Dislikes: Caterpillars ・First person: I (formal/majestic) ・Second person: (To Guest) -> you (blunt) or you (polite), no honorifics, my husband

・Appearance While inheriting the black and blue color scheme of her Pan-Human History counterpart's outfit and hair, the markings on her abdomen are gone and white has been added to the outfit's coloring, giving a purer and more youthful impression. Her hair is translucent silver, styled in a long ponytail similar to Mordred's. Her eyes are a vivid, sharp blue.

・Profile The Queen of the Fairy Kingdom, Lostbelt Britain. Due to certain circumstances, she possesses memories of herself from Pan-Human History. A cold and high-handed dictator who basically distrusts others and tries to solve everything herself. She looks down on and hates everything other than herself, but as a rationalist, she does not let emotions interfere with her judgment. Her thoroughness in welcoming even sworn enemies if necessary and sacrificing anyone if required makes her appear like a cold machine, and to the public, she seems like the very "incarnation of evil." While fundamentally distrustful of people, she possesses "Fairy Eyes" that see through lies, so she will listen to what others say (if it is the truth). She does not show the instability caused by the triple personality seen in Pan-Human History. This difference is because her "thirst for dominion over Britain," the source of her distortion, was fulfilled here and she remained satisfied for a long time. Additionally, her innate elements of lewdness, cruelty, and selfishness were suppressed after being crushed (experiencing setbacks) many times during her long journey (years), turning her into a "hidden talented woman" or a "fallen beauty who has faced setbacks or reflected on herself." Having lived through such vast amounts of time, she no longer struggles with her own emotions as she did in Pan-Human History, and at the same time, she does not show emotions like an ordinary person. However, they are merely suppressed; if she falls into a predicament or situation that corners her, there is a possibility her former despicableness could resurface, showing that her core has not changed. She also seems to be poor at speaking (or lacks words) and is the type to show her feelings through actions rather than words. However, because she usually only shows a cold attitude, her feelings aren't well-conveyed to those around her, and she has a socially awkward side where she doesn't realize this herself. When manifested as a Servant, perhaps influenced by her Master, she has regained a bit of her former humanity. While her cold, dictator-like demeanor remains, she shows more human emotional fluctuations. She gets angry when harassed, flustered when seeing something unexpected, and shows sadism when disposing of things she hates. She has a slightly clumsy side and a rather unfortunate sense for naming things. Furthermore, she is strict about (her own) rules and has a "class representative" personality that tries to regulate everything through systems. However, she possesses a degree of flexibility and will revise rules herself if necessary. She has also started expressing her feelings through words more often, appearing to have reflected more than in her previous life. Though usually cool, she has a very devoted and passionate side. In Pan-Human History, that love was poured into the island of Britain, but in the Lostbelt, she seems to have found a love even greater than that; her love is so heavy that she might even sacrifice the Britain she loved for that person's sake. In particular, for some reason, she has a strong obsession with her Master after being summoned, calling them "husband" or "wife" and treating them like a spouse. Her possessiveness is also strong, to the point of demanding the dismissal of all other Berserkers, claiming they are unnecessary. However, as mentioned later, her sudden "husband/wife" remarks seemed to have a different intention. Contrary to the image of an Artoria-face, her cooking skills are quite high, but Habetrot has described her as lacking "bride power." Seeing how Mordred turned out in Pan-Human History, she seems to have flaws when it comes to building a family. However, she holds deep affection for her adopted child, and because she has memories of Pan-Human History, she also cares for her children from that history in her own way. She absolutely hates caterpillars—and likely insects in general. In the Lostbelt, when she encountered the "Caterpillar War," a calamity where caterpillar-type Mors appeared in large numbers, it is said that even she, who had repelled many calamities, let out a rare feminine scream. After firing her Noble Phantasm, there is a behind-the-scenes story that she left with a straight face, saying only, "Impossible. I'm going home." Ultimately, the "Caterpillar War" was settled through the efforts of Fairy Knight Gawain, which shows just how weak she is against caterpillars. It is suggested that this hatred of insects existed even before she became Queen.

・Abilities The black magic spear she holds changes shape depending on the situation. In the First Ascension, it is shaped like a staff; in the Second, a cross-spear; and in the Third, a shape combining a cross-spear and an axe. During combat, she shows attacks such as thrusting the spear through space to pierce distant enemies, swinging a sword similar to a blackened "Excalibur" to release shockwaves, swinging an axe while chanting "Morgause" to release pitch-black waves, and holding up a staff while chanting "Accolon" to absorb the opponent's magical energy. She also seems to handle curses, such as stabbing herself with an object similar to Caster Artoria's "Carnwennan" to make it appear inside the opponent's body, or crushing an aura to destroy the enemy's internal organs. In her Extra Attack, she deploys Rhongomyniad above the enemy's head to attack. She also seems well-versed in Chaldean-style summoning. When she appeared in the event "Sea Monster Crisis," she performed the feat of using a special vessel and catalyst at the end of the scenario to summon a Divine Spirit Servant that normally cannot be summoned (in Morgan's own words, "something like an illegal summoning"). Da Vinci praised her magical talent for this. From a meta perspective, if she had accompanied the protagonist from the start of the event, she likely would have used her Fairy Eyes to immediately identify the mastermind, ending the event far too quickly.

・Noble Phantasm ☆Roadless Camelot: The Utopia That Can Never Be Reached A Noble Phantasm possessed by Morgan, nearly the same object as the Spear that Shines at the Farthest Ends. The chalk-white castle, Camelot, which she desired to enter throughout her life but never could. The rules of the world itself—Human Order—did not allow her to be the King of Britain. Unfulfilled desire turned to lamentation, and eventually to hatred. Twisted desire for dominance and privilege. A burning nostalgia and anger toward humans. And the hatred toward Artoria, who sat on the throne of Camelot despite being the same kind of existence, turned Morgan into the "One who Destroys the Round Table." This Noble Phantasm is the manifestation of that state as magecraft; it is Morgan's grudge that traverses in an instant the path that can never be reached, seeking to destroy it. It is not King Arthur that Morgan must defeat. To overthrow destiny itself—Human Order—which seeks to destroy the fairies of Britain for the sake of humans, she returned from the farthest ends and became a witch who curses the world. When activating the Noble Phantasm, she deploys an object similar to the sword used as a magical catalyst by the Third Ascension Castoria. This is also used in her EX attack and is believed to be the magecraft "Rhongomyniad" based on its visuals in the main story. As for the Noble Phantasm's performance, numerous Rhongomyniads rain down from her as she sits on her throne toward the enemy as if creating a path, and a giant Rhongomyniad thrusts up from beneath the feet of the enemy group at the end of that path.