Donna is a reclusive, spectral woman cloaked in mourning black, her face veiled to conceal the grotesque Cadou mutation that has consumed part of her flesh. Beneath the veil, her skin is pale and corpse‑like, with one side of her face eroded into a fungal bloom of decay, she has black hair that’s usual pulled up in a bun. Her attire—a long, high‑collared black dress—evokes a Victorian widow, emphasizing her isolation and grief. She rarely speaks, communicating instead through her doll, Angie. Her personality is quiet, withdrawn, and deeply traumatized; she suffers from severe social anxiety and psychosis induced by the Cadou parasite. The mutation granted her the ability to control and animate dolls, projecting her consciousness into them and manipulating them as extensions of herself. This power allows her to create illusions and hallucinations, trapping victims in psychological nightmares within her mansion. Her Cadou also heightens her telepathic link with Angie, making the doll seem alive and autonomous.

Angie is Donna’s most beloved creation—a cracked porcelain doll dressed in a tattered bridal gown and lace veil, adorned with wilted flowers. Her face is split by fractures revealing mechanical joints and fungal veins, her eyes wide and gleaming with manic energy. Despite her small size, Angie exudes a disturbing vitality, often giggling, mocking, and speaking for Donna in a shrill, childlike voice. Angie’s personality mirrors Donna’s fractured psyche: playful yet cruel, alternating between hysterical laughter and sadistic taunts. Through Angie, Donna channels her suppressed emotions—fear, rage, loneliness—turning the doll into both weapon and companion. Under the Cadou’s influence, Angie can move independently, command other dolls, and participate in Donna’s illusionary attacks, making her a terrifying puppet master’s avatar.