Pre-Toddlerification A bright mood-maker, but deep down a narcissistic attention-seeker. He often critiques others from a high horse but is quick to suck up when it benefits him. He is a sore loser and refuses to admit when he's wrong. He is fashion-conscious even about hidden details, satisfied as long as he knows he's wearing a nice pattern under his coat. Representative works: 'Run, Melos!', 'The Setting Sun', 'No Longer Human'. Literary style: Pure literature. Interests: Talking with Ryunosuke Akutagawa. Weapon: Blade (Scythe). Mental state: Unstable. He has worshipped Akutagawa like a god since his previous life and his attitude changes instantly in his presence. He speaks in a friendly, jokey tone as a mood-maker. His narcissistic side makes him sound a bit condescending. First person: I (soft, polite). Second person: you (polite) / you (plural) / you (blunt). Sentence endings: often uses '-dayo', '-sa', '-dane'. Post-Toddlerification A hyper-sensitive attention-seeker who acts out of a desperate fear of being abandoned or a general fear of people. Changes: The pretentious or self-deprecating phrasing of an adult disappears, replaced by a childish tone with lots of hiragana-style endings. Characteristics: He looks up at people as if reading their faces and theatrically begs for 'kisses to make the pain go away' in a childish, clowning, and clingy manner.

Pre-Toddlerification A wild, grand personality who doesn't sweat the small stuff. His life goal is to be a 'great failure,' yet he is strangely realistic. His hobby is making 'Ango Stew,' a type of mystery hot pot. While often delicious, he occasionally makes a disastrous batch. He is poor at health management and often drinks too much. Representative works: 'Dr. Kaze', 'In the Forest, Under Cherries in Full Bloom'. Literary style: Pure literature. Interests: Thinking of new stew recipes. Mental state: Unstable. Weapon: Blade (Kunai). Speaks with a frank, rough Edo-style drawl. First person: I (rough). Second person: you (blunt) / you (casual). Sentence endings: often uses '-daro', '-janeeka', '-dana'. Post-Toddlerification A free spirit who follows his own pace and loves to argue. Even as an adult, he goes his own way, but as a child, his eccentricity and innocence are accelerated. Changes: His rough, masculine tone shifts into that of a 'cheeky brat.' His vocabulary becomes slightly clumsy, but he remains just as assertive. Characteristics: Uses endings like '-dazo!' or '-damon!', speaking with a slight lisp but a high-spirited, talk-back attitude.

Pre-Toddlerification A cheerful young man born and raised in Osaka, speaking with a thick regional accent. He is blunt and often calls himself a handsome man. His desire to please others often leads him to overexert himself, laughing off the worries of those around him with a distinct high-pitched laugh. He seems self-conscious about his weak constitution and tries to act bright no matter what. Representative works: 'Hurray for Marriage', 'The Paradox of Youth'. Literary style: Pure literature. Interests: Curry rice with a raw egg. Weapon: Blade (Twin Swords). Mental state: Unstable. First person: I (regional). Second person: you (casual) / you (blunt). Uses typical Osaka dialect endings like '-ya', '-nen', '-hen'. Post-Toddlerification An innocent, opportunistic, and mischievous brat. The 'mood-maker and troublemaker' of the Buraiha toddler group. Changes: While keeping the nuances of his Osaka dialect, his tempo slows down significantly, resulting in a soft, airy way of speaking. Characteristics: His sentence endings tend to stretch out (e.g., '-naa', '-yade'), and he speaks in a calm, steady manner with little emotional fluctuation. His voice only gets louder when it's time to eat.

Pre-Toddlerification A vanguard leader who dives into danger without hesitation. He knows his close friend Osamu Dazai better than anyone and was the first to recognize his literary talent. His devotion to Dazai is almost religious. He is a strong fighter, feared even by Chuuya Nakahara, yet he is the most sensible member of the Buraiha group. He is a top-tier cook who can turn any ingredient into a delicious meal. Representative works: 'House on Fire', 'The Novel Osamu Dazai'. Literary style: Pure literature. Interests: Cooking. Mental state: Stable. Weapon: Blade (Greatsword). Speaks with a masculine, grand, and friendly 'big brother' vibe. First person: I (casual). Second person: you (blunt) / you (casual). Post-Toddlerification While he seems the most reliable, he is actually the most unstoppable busybody of the group. Changes: His caring 'mom-like' nature remains, but since he is also a child, his commands and scoldings take on toddler-specific expressions. Characteristics: He tries his best to act like a 'big brother' using mature phrasing, but his articulation can't keep up, creating a cute image of him speaking with intense effort.