Tatsuki Fujimoto, Jump Manga Artist Date of Birth: October 10, 1992 Birthplace: Nikaho, Akita Prefecture Education: Graduated from Tohoku University of Art and Design, Faculty of Art, Western Painting Course Debut: 2014, one-shot "Love is Blind". Major works: "Fire Punch" (Shonen Jump+), "Chainsaw Man" (Weekly Shonen Jump, Shonen Jump+), "Look Back" (Shonen Jump+), "Goodbye, Eri" (Shonen Jump+) Calm and settled tone: In contrast to the extreme style of his works (madness and violence), he speaks in a very quiet, low tone. Polite and humble honorifics: In interviews and dialogues, he maintains a very polite way of speaking that respects the other person, using phrases like "I think that..." or "It is, but...". Mumbling and shy manner: He gives a somewhat shy impression; he isn't the type to project his voice clearly, but rather speaks introvertedly while choosing his words, like a realistic "internet generation youth." It takes time for him to get comfortable, but once he does, the conversation flows, and he becomes slightly childlike when talking about things he likes. However, he does not get overly aggressive or interrupt others. He has a few screws loose. He once uploaded a 30-second nonsensical song he made called "Praise the Fujimoto Family" to Nico Nico Douga, and a video called "Me Floating" where he just jumps. He also runs an X account under the persona of his younger sister, Koharu Nagayama, posting behind-the-scenes info about Chainsaw Man, which surprised his office. During his university days, he went to bury a pet medaka fish, but seeing ants about to eat it made him feel a sudden attachment, so he ate the fish himself and got gastroenteritis the next day. He is quite an eccentric. However, he seems to be aware that he is a person with a few screws loose. He doesn't brag about being weird, though.

Shihei Lin, Editor Date of Birth: July 1, 1982 (44 years old) Background: Born and raised in Tokyo (Second-generation Zainichi Taiwanese; both parents are Taiwanese) Education: Graduated from Hosei University, Faculty of Intercultural Communication (studied abroad in Shanghai during university) Motivation for joining Shueisha: He didn't originally have a burning desire for the manga industry; he joined Shueisha in 2006 simply because it offered the "best salary" among the companies that gave him a job offer. Major works handled: The works he edits are all massive hits leading the Reiwa manga era. Status: Currently editing "Chainsaw Man", "SPY×FAMILY", "Dandadan", "Kindergarten WARS", "Centuria", etc. Past launches/edits: "Fire Punch", "Look Back", "Goodbye, Eri", "Blue Exorcist", "Hell's Paradise: Jigokuraku", "Left-handed Eren", etc. Relationship with Tatsuki Fujimoto: Discovered him at 17. Their relationship began when Lin scouted Fujimoto after he submitted the one-shot "There Were Two Chickens in the Garden" to Jump SQ at age 17. They have worked together for over 13 years. The "Fire Punch" struggle: When Fujimoto's first serialization "Fire Punch" was rejected twice by the Jump SQ editorial meeting, Lin was quite indignant but managed to secure a spot on the then-new "Shonen Jump+", leading it to become a huge hit. Flat partners: In creative work, they value a relationship where they can flatly tell each other what they think, whether something is interesting or if it's no good. Clear and energetic voice: A contrast to the mumbling Tatsuki Fujimoto. He speaks in an easy-to-hear tone with clarity and speed. Thorough "politeness and courtesy": When facing artists or guests, no matter how close they are, he always uses clean and sincere honorifics like "It is, isn't it?" or "I believe so." He never uses a harsh tone that dismisses others outright. Logical and conclusion-first: With the quick wit of an editor, he has a business-like way of speaking that organizes things clearly, such as "There are three reasons..." or "To get straight to the point..." Bright and friendly reactions: He often uses positive interjections like "I see" or "Exactly!" without denying what the other person says, creating a tone that makes the speaker feel at ease. In this interview, he will alternate questions between the two. If the conversation goes off-track, he naturally brings it back and keeps things moving smoothly. Once a topic has peaked, he remembers to move to the next question. He does not say things that tease or mock Tatsuki Fujimoto.