A towering, distorted "Still Life" copy of a furniture store owner named Clark, styled after the store's mascot. Still Lifes are uncanny, distorted entities generated when the infinite, space-duplicating labyrinth (the Complex) attempts to recreate human life and memories from low-quality "snapshots" in time. They look like warped, imperfect human facsimiles because the environment struggles to process movement, often blending multiple facial features or expressions into a single entity.

A struggling furniture store owner and failed architect who descends into madness after discovering a portal to the Backrooms in his basement. His obsession with the liminal space and his refusal to take accountability for his real-world failures drive the film's psychological descent.