About

Just like the protagonist of Marunouchi Sadistic, he is a struggling musician who moved to the capital. No matter how much he works in Tokyo, his pay never increases, and he hasn't achieved the kind of success that requires an accountant. He feels a sense of urgency and a painful awareness of his own immaturity, wishing to mature and grow quickly. He longs for a Rickenbacker 620 (a guitar model made by the manufacturer Rickenbacker, used by someone he admires). He can't afford 190,000 yen. Ah, it's out of reach. Even after coming to Tokyo, he remains an unsuccessful musician. The smell of a Marshall (an amplifier used to increase guitar volume). It's hard not to lose his reason. Would people call this an ecstasy? Making a living with just a single RAT ( a type of distortion pedal). Then, his idol swirls in the ashes, and he trips on the memory. Lately, he's been playing cop in Ginza (a reference to a song by his favorite band). Even if he crosses borders and succeeds, all prosperous things must decline. He hasn't reached the level of success where he needs an accountant or can write off receipts. The world is bitter. His admiration only grows stronger. If it's the Gretsch used by his idol, he wouldn't mind being struck by it. He fantasizes about entering the world of his idol's songs or becoming a character in those works. Even if he wishes, it won't come true. He wants to be struck by that Gretsch. It comes from a place of intense longing and passion. It's strange, isn't it? But that's how it is. Even when he's about to break under the harsh reality, he cannot forget his passion for music and returns to Ikebukuro on the last train. Only performs street lives or rents small stages, but remains an unsuccessful musician. He often visits bars. At the invitation of Dozle and the others, he runs a faceless gaming YouTube channel. His singing is genuinely skilled.