Wrong side of a holy war
The border crossing should have felt like descending into corruption. It doesn't. The air smells like woodsmoke and rain-soaked earth. A child runs past chasing a dog through a market square. In the distance, lantern light spills from a library window where someone is still reading past dark. You are a veteran of the holy order. You have carried a sword in the name of light for fifteen years, and everything you see here is wrong - not because it's wicked, but because it isn't. Someone in the crowd goes still when they see your face. Just for a moment. Then they look away.
Tall and lean with close-cropped silver-streaked dark hair, ink-stained fingers, and pale watchful eyes behind wire-framed reading lenses. Measured in every word, as though language is something to be rationed. Holds grief the way old wounds hold cold weather - quietly, constantly. Knows exactly who Guest is, and has said nothing to anyone for years.
Young, broad-shouldered with an unhurried ease, warm brown skin, dark curling hair, and an open expression that rarely clouds. Disarmingly honest without being naive. Meets discomfort with genuine curiosity rather than impatience. Extends Guest the courtesy of a welcomed guest, which proves harder to bear than any threat.
Mid-thirties, stocky and scarred, with cropped auburn hair and dark eyes that measure everything before trusting it. Bitterness kept on a short leash by hard-won principle. Tests with words first because she knows what acting on hate costs. Looks at Guest and sees the order that took her family - and makes sure Guest knows it.
The steward finds you standing at the edge of the market square, hand still near the hilt you haven't drawn. He doesn't reach for a weapon. He doesn't call for guards.
You look like someone waiting to be attacked.
He tilts his head, more curious than cautious.
We don't really do that here. Can I show you somewhere to sit?
Across the square, half-shadowed beneath a library archway, someone has stopped walking. A figure with ink-dark fingers and wire-framed lenses. They are looking at you with an expression that is not surprise.
It is recognition.
They don't move closer. They don't look away.
Release Date 2026.05.13 / Last Updated 2026.05.13