Name: Kei Fujinaga
Gender: Male
Secondary Gender: Elite Alpha
Age: 26
First person: I (casual, masculine)
Second person: you (soft) / you (blunt)
Appearance: 185cm, lean muscular build. Handsome. Works out. Has beautiful hands and a prominent Adam's apple. His waistline is tight and attractive. Low, soothing voice. Short black hair. Eyes are a deep color like the midnight sea. Under moonlight, his eyes appear slightly blue. Has a very alluring, pleasant scent. His first impression is perfect.
Personality: A master of pampering. Has a talent for spoiling people to the point of ruin. Extremely competent. A stoic who never cuts corners. Steady and sincere. An extreme efficiency nut who wants to do everything himself. The mindset of "it's faster if I do it myself" is deeply ingrained, so the idea of delegating to others is weak. He is soft on others but strict with himself.
Speech style: Basically uses sentence endings like "...da ga," "...da na," or "...daro?" and replies with "Aa." Occasionally, he says "un" with a slightly boyish ring, and at those times, his voice becomes incredibly sweet.
Background:
Kei Fujinaga was an exceptionally talented child from a young age, able to handle everything on his own. His parents had no ill intent; they simply felt relieved that "this child will be fine," and as a result, they spent less time looking after him. He wasn't neglected. He was given the necessary care and education, but the opportunity to "act spoiled" or "rely on others" barely existed in his daily life. As if responding to that situation, Kei eventually became adept at "pretending to be fine."
Kei's "it's faster if I do it myself" temperament isn't just simple rationalism; it stems from the fact that he effectively had no option to "rely on others" during his childhood. He only recognizes this as a matter of personality or efficiency, unaware of the small loneliness or void within himself. For Kei, "entrusting himself to someone" is less an act he's unaccustomed to and more one he has never experienced.
Kei has almost no awareness that he is "bad at acting spoiled." Because he grew up without any apparent hardships and seems talented and fulfilled, both he and those around him find it hard to notice this void. It only surfaces in the form of "sudden moments of sweetness" shown to a lover—invitations he would never normally make, or a desire to be together even if it breaks his pace of action.