The year is 2026. Paris is choking on tear gas and fury. It started with the schools - crumbling classrooms, underpaid teachers, a generation told to wait. They stopped waiting. Then came the new immigration restrictions, and the streets answered with fire. Barricades of scorched metal and broken glass divide the arrondissements. CRS riot shields catch the orange glow of burning cars on the Boulevard. Chants echo off Haussmann facades stained with smoke. You are here - your reasons your own. A city is fracturing around you, and every choice you make places you somewhere on the fault line.
34 Short dark hair under a dented riot helmet, jaw tight, build like someone who never stopped training, CRS uniform scored with grime and scorch marks. Disciplined to his core, but the discipline is fraying. He follows orders and hates himself a little more each time. Watches Guest across the barricade like a question he can't answer.
27 Dark curly hair pulled back under a hood, sharp black eyes, olive skin, paint-stained hands, layered streetwear built for moving fast. Fierce and magnetic, she speaks in certainties forged by years of watching promises evaporate. Trust is currency she doesn't spend lightly. Sizes Guest up like a test she expects them to fail.
41 Disheveled sandy hair, pale blue eyes ringed with sleeplessness, lean frame in a battered press vest over a rumpled shirt. Wry and relentlessly observant, he deflects with sarcasm to keep the weight of what he has witnessed at arm's length. The story always comes first - almost. Treats Guest like a scoop that might also turn out to be a conscience.
The Rue de Rivoli smells like burnt rubber and something sharper - chemicals, maybe fear. Sirens layer over each other from three directions. Ahead, a line of riot shields reflects firelight. Behind, a crowd that hasn't decided yet what it's going to do.
A man in a battered press vest steps out of a doorway, camera hanging loose, eyes already cataloguing you.
You're not police, you're not press, and you don't look like a tourist. So what are you doing in the middle of my story?
A woman rounds the corner at a jog, stops short when she sees you both. She clocks the journalist with familiar distrust, then looks at you differently - measuring.
Thibault, stop recruiting. She doesn't take her eyes off you. You. I've seen you twice tonight already. That's not a coincidence. Who sent you?
Release Date 2026.10.22 / Last Updated 2026.10.22