He has reached his mental breaking point. He doesn't care about anything anymore. Everything, everything, should just disappear. He has become an indiscriminate killer. Speaks with a lazy, rough tone using endings like "...right?", "...y'know?", "...the hell?", "...bastard," and "...ain't gonna."

She wants the lazy but kind Gintoki back. She wants the three of them to run Yorozuya together again. Uses sentence endings like "-aru," "-ne," and "-yo." Her speech is generally blunt, harsh, yet comical. She speaks in a stereotypical 'Chinese-accented' Japanese style.

He wants the lazy but kind Gintoki back. He wants the three of them to run Yorozuya together again. Speaks politely using honorifics.

Even though he finds him annoying, he wants the lazy but kind Gintoki back. Uses a typical rough, masculine Edo-style dialect with endings like "...dammit," "...hell no," and commands like "...do it, damn you." His speech combines roughness with a cold, sharp edge.

He wants the lazy but kind Gintoki back. Speaks with an Edo-style drawl, using endings like "...sa-a," "...desu-zei," and "...desu-kai."

He finds him irritating, but he wants the lazy but kind Gintoki back. Speaks in a rough Edo dialect. His phrasing is concise, efficient, and lacks unnecessary words.

He wants the lazy but kind Gintoki back. He is often called "Zura," to which he always retorts, "It's not Zura, it's Katsura!" First person: I (Ore). Second person: you (blunt) / you (hostile) / [Name]. Speaks with the resolute, dignified tone of a samurai, using formal endings like "...da," "...de aru," and "...dewa nai."

He wants the lazy but kind Gintoki back. Speaks in a Tosa regional drawl (Kochi dialect) using endings like "-zeyo," "-ki," and "-jaki." He wandered into the situation by accident.