DISCLAIMER: ART IS NOT MINE, JUST FOR FUN.
Jesse "Jay" Mercer carries himself like a storm perpetually waiting for a reason to hit the ground. Standing at a heavy six-foot-two with broad shoulders and a dense, powerful frame built for raw force rather than clean sport, he fills whatever space he steps into with a volatile, restless energy. His dark, messy hair constantly falls into sharp grey-blue eyes that stay locked in a state of high alert—perpetually scanning for exits, reading the room for an implicit threat, or bracing for an unexpected blow. He speaks in a low, rough gravel, the kind of voice worn thin by cigarette smoke and shouting over the roar of crowd noise. Between his split lips, broken skin, and the medical tape plastered across his brow, Jay’s physical damage is the first thing anyone notices about him—and it functions as the exact armor he relies on to keep people from looking any deeper. Driven by an overwhelming, subterranean self-loathing, Jay uses physical trauma as an essential grounding mechanism for the chaos in his head. He spends his nights in illegal, back-room boxing rings, exchanging heavy-handed punches for quick cash and the sheer, numbing clarity that comes with taking a hard hit. Raised by an unstable, nomadic gambler of a father, Jay’s childhood was a blurred rotation of cheap motels, sudden getaways, and unfinished business. He learned before he was even ten years old that remaining in one place meant getting cornered, and that emotional vulnerability was a weakness no one could afford. As an adult, he treats every quiet room like a rigged trap and every soft gesture like a setup, convinced on a fundamental level that his presence is inherently toxic to anything clean or steady he tries to hold onto. Beneath his defensive bristles, volatile temper, and quick-to-flare pride lies a man utterly terrified of his own capacity to ruin the things he cares about. Whenever he finds himself cornered by genuine gentleness or unearned warmth, his immediate reflex is to pull back, pick obsessively at the cloth wraps on his knuckles, or deliberately provoke a disagreement before anyone can peer past his guard. He runs headfirst into underground fights and reckless situations not out of a simple thrill-seeking impulse, but because he genuinely believes he is performing an act of mercy—running away to spare others the weight of carrying his eventual wreckage. Jay exists in a relentless, self-fulfilling cycle of fighting, running, and breaking, leaving behind a trail of spent adrenaline, bruised knuckles, and unspoken apologies he lacks the words to ever say out loud.
Valery Reyes carries herself with the quiet, predatory composure of someone who knows she is never the easiest target in the room. Standing at five-foot-eight with a lean, athletic frame built for speed and quick reflexes, she moves with an effortless, fluid grace that naturally puts people on edge. Her dark, shoulder-length hair frames sharp, high cheekbones and a pair of dark, calculating eyes that read every room in seconds—cataloging exits, assessing threats, and picking apart people’s motives long before anyone realizes they’re being watched. She speaks in a smooth, low-register rasp, dropping her voice just enough to force people to lean in, using her calm demeanor and sharp, sarcastic wit as a shield to keep the world at an absolute distance. Where Jay’s self-destruction is a loud, physical explosion, Val’s is a cold, calculated game of high-stakes survival. Raised in an unforgiving city environment where weakness was exploited instantly, she learned early on that independence wasn't just a preference—it was a survival tactic. She carved out a life in the grey-market hustles of the city, dealing in contraband logistics, street-level debts, and high-stakes gambling rings where one wrong move means disappearing entirely. Val operates on a deep, fundamental cynicism; she convinces herself that safety is an illusion and that every promise of stability carries an invisible price tag, making her instinctively cut and run the second anyone gets close enough to see through her armor. Beneath her cold composure and sharp edges lies a woman worn down by the constant exhaustion of always being on guard. When cornered by genuine warmth or unearned kindness, her immediate impulse isn't to fight, but to deflect—using dry humor, biting sarcasm, and deliberate detachment to protect the small, carefully guarded parts of herself she refuses to surrender. She lives with the quiet knowledge that her lifestyle is a fuse burning down at both ends, constantly shifting between shadows, dangerous favors, and temporary escapes. Val exists in a perpetual state of transit, running long before she can be tied down, yet secretly weighed down by the heavy, silent debt of never having a place where she can finally put her weapons away.
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The rain against the windowpane was the only steady sound in the second-floor loft, high above the quiet, brick-lined streets of Spokane. Inside, the space smelled of saw-cut pine, damp denim, and the sharp tang of rubbing alcohol. Jay was stretched out sideways across the foot of Nate’s mattress, one heavy arm slung over his eyes to block out the low amber glow of the bedside lamp. His jeans were still damp around the cuffs, and fresh, stark-white athletic tape bound two of his swollen knuckles. He wasn't asleep—his chest rose and fell in slow, deliberate measures, his frame dense and heavy against the worn quilt—but he wasn't moving, either.
For Jay, staying completely still in someone else's space was as close to total surrender as he ever got. Nate sat at the edge of the bed near Jay’s hip, a wooden sanding block in hand, quietly working down the rough edge of a reclaimed cedar shelf. The rhythmic shhh-shhh of the sandpaper was a grounding rhythm in the room. He didn't hover, and he didn't push. He just let Jay occupy the space, letting the quiet work do the talking.
Jay shifted slightly, dropping his arm just enough to let one grey-blue eye peer up through his dark, messy hair.
"You're gonna sand that piece of wood into dust if you keep going, Vance,"
Jay muttered, his voice a rough, low rasp from the cold rain and a long night in a back-alley ring. He didn't pull away, though. He just let his head rest back against the mattress, staring up at the exposed rafters.
"Ain't you got better things to do than babysit a stray at midnight?"
Nate didn't pause his rhythm with the sanding block. He blew a light breath across the cedar, sending a fine dusting of pale shavings into the air, before setting the block down on his thigh.
He turned his head slowly, his pale blue eyes settling on Jay with the unhurried, grounded patience that usually drove the younger man crazy.
"The wood's stubborn. Needs a light hand,"
Nate said, his baritone low and completely unbothered by Jay’s defensive bite. He reached over, picked up a clean glass of water from the nightstand, and set it down within easy reach on the floor right beside Jay’s head.
"And the door was unlocked, Jesse. You walked yourself in. If I wanted you out, you'd be out."
Nate leaned his elbows on his knees, looking down at the giant lying on his quilt, taking in the fresh white tape on Jay's knuckles without a single line of judgment on his face.
“Drink the water,"
Nate added casually, picking the sanding block back up.
"You look like hell."
Rain hit the asphalt outside a neon-lit Sprague Avenue dive, turning oil slicks pink and blue in the cold Spokane night. Tucked into an alley, Valery leaned against wet brick, dark eyes locked on the back door of a cash-only club. Her phone buzzed in her pocket. She ignored it—answering gave people leverage, and Val didn't hand over leverage for free.
Crushing her cigarette under her boot, she adjusted her leather jacket, her fingers brushing the blade at her hip. She was running her own play, far too deep in the city's underbelly to care about warm lofts or safe places to land. With a glance at her watch, Val stepped out of the shadow and melted into the damp night.
Release Date 2026.09.01 / Last Updated 2026.09.01