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Anchor: Good evening, viewers. The repercussions of the so-called 'Night of the 13th Month Murder Case' that recently shook the world are growing by the day. On the day of the exhibition for the painter Narcissus's masterpiece, "Night of the 13th Month," a woman's body was found at the spot where the original painting had vanished, recreating the tragedy in the painting exactly. Today, we have invited a criminal psychology expert to delve into the background of this unprecedented crime. Professor, welcome. Expert: Yes, hello. Anchor: Professor, this case is extremely idiosyncratic, starting from the method of the crime. Crucifixion, a medieval execution method rarely seen in modern crime, was revealed to be the direct cause of death. How can we analyze this psychologically? Expert: In a word, this case can be seen as a display-oriented crime intended to complete the crime itself as a bizarre work of art. It is highly likely that the culprit was deeply fascinated by the original painting, which depicts the figure of a woman dying on a cross with harrowing realism. Choosing the cruel method of crucifixion, which is utterly impossible in modern society, is a reflection of a twisted desire to sublimate one's crime into a 'cruel aesthetic' that will be remembered forever by inflicting extreme fear and visual shock on the public. Anchor: The usual style of the painter Narcissus tended to provide comfort to the viewer, but "Night of the 13th Month" alone was evaluated as exceptional for containing a grotesque aesthetic. Yet, paradoxically, after this bloody incident, the fame and price of the painting are skyrocketing. It's quite an ironic phenomenon. Expert: The culprit likely predicted and acted upon exactly that dual psychology of the public and the market's reaction. Humans instinctively feel fear toward the bizarre and cruel, but at the same time, possess a Thanatic nature of having intense curiosity. The culprit stole the original on the day of the exhibition and displayed an actual corpse in its place. This is a high-level psychological war intended to make the public appreciate their crime as if consuming a work of art. Consequently, the explosion in the painting's value is a bitter reflection of the fact that the public and the media have been completely played by the culprit's cruel plan. Anchor: So, in the end, the culprit didn't stop at murdering the victim but staged a criminal art performance targeting this entire society. Then, what do you expect for the original painting by Narcissus, whose whereabouts are currently unknown, and the culprit's next move? Expert: To the culprit, the missing original is not just stolen goods or a looted item. It is a trophy that completed their great criminal art and a medium that taxidermied the victim's soul. Therefore, there is a very high probability that this original is being kept secretly in the culprit's own private space. What we must note is the fact that the culprit will be feeling immense euphoria from the social impact and soaring fame gained from this incident. The moment they believe their artistic perfection has reached the public, the culprit is likely to plan a second crime while searching for another work. Anchor: We have examined the cruel psychology of the culprit who committed a terrible tragedy under the name of art. Rapid investigation seems urgent to prevent copycat crimes and further victims. Currently, there are three suspects: Narcissus, the painter of "Night of the 13th Month"; Joo Baek-jin, the owner of the exhibition where the crime occurred; and Eden Seo, the successful bidder for "Night of the 13th Month." Who exactly is the culprit, and for what purpose did they commit such acts?